First of all, Team Fortress 2 (Free; Windows & Mac) is surprisingly fun — if you’re on a good team. It’s free, which is always a good thing, and it seems to not be completely flooded with trolls/griefers/hackers, which is another good thing. There’s really not a whole lot to say about it. If you’re into class based team FPSs you’ll probably enjoy it. If the cartoony look is not your thing and you prefer realism and strategy over fun, then maybe go have a look at Nuclear Dawn (€18; Windows & Mac). I haven’t gotten around to buying it myself, so I really can’t say much about it yet. Incidentally, the Team Fortress 2 Gift Grab 2011 achievement (the reason I installed and tried the game) earned me an additional copy of Portal 2. This was a triumph!

Bit.Trip Runner (€8; Windows & Mac) wasn’t actually part of the Steam Christmas event, but Bit.Trip Beat (€8; Windows & Mac) was, and that prompted me to try out Bit.Trip Runner. Bit.Trip Beat is basically Pong evolved. It’s pretty fun for 10–15 minutes, but that’s about it for me. Bit.Trip Runner however… That game is so hard, fast and annoying in every way possible that you just want to keep playing until you’ve beat it. For every level the rule is: Make one mistake and you start the level over. And you’re going to be making mistakes — lots of them. While running and dodging stuff at 200 billion mph you’re bound to fuck up even the simplest things at times, so after maybe 9 or 10 tries at a level, you’ll begin to get into the groove, have the level memorized and then you’ll have a shot at completing it. If it wasn’t because completing a level feels so good, I would’ve probably ragequit and hurled my controller at the screen.

PAYDAY: The Heist (€19; Windows only) is a co-op FPS where you finally get to play the bad guy(s) without some lame plot twist revealing that you’re actually good guys. You play one of a bunch of hardened criminals out to pull off some epic heists. During each heist you have to complete various sub-missions in order to get away with the big score in the end. Meanwhile the cops and the FBI are sending wave after wave of forces after you, each wave tougher than the last. One of the under-appreciated aspects of the game is that it’s not all too reliant on team work. Missions are definitely easier when playing as a team, but they’re also manageable alone, which is nice if you end up on a bad team online. Definitely a fun game if you’re not looking for something that “redefines the genre” or “completely changes your look on life”. If you want that, read the last description in this post.

Revenge of the Titans (€10; Windows & Mac) is sort of a retry-styled tower defense game, and the retry-style (both in looks and in music) is what really does it for me. I actually played this game a while ago when I bought it as part of a Humble Indie Bundle. Generally I find tower defense long-winded and downright boring, but this one is different. Not in gameplay really, but apparently style and delivery are hugely important factors for me, and Revenge of the Titans delivers on both accounts. If nothing else, you can always enjoy Dave S-B’s dramatic synth interpretation of Bach’s Fugue in D minor. It just works so well with the rest of the game. (Other classics like Bach’s Toccata to go with the Fugue, and Strauss’ Also Sprach Zarathustra are also featured on the sound track.) Oh, and this game is hard. I mean, really, really, really hard. (Maybe because I don’t generally play tower defense games.)

Bastion (€14; Windows only through Steam, other OSs can run it in Chrome — read on). Literally the best game I’ve played in years — maybe ever. This game definitely deserves every word of praise it’s gotten. The gameplay is not unlike Diablo, in that you have a fixed isometric view of the world, but that’s about the only similarity you’ll find between the two. Bastion has a narrator who sounds just a little bit like The Stranger from The Big Lebowski. Incidentally the narrator of Bastion is referred to as The Stranger during the first part of the game. Now, I’m not usually a huge fan of narration in games, but in this case it works incredibly well, partly because the narrator has a great voice, and partly because the narration is dynamic. The narrator will react to your actions throughout the game, which gives the game great feeling of story telling. And then there are the graphics. Beautiful hand-drawn environments in lush, vivid colors, that give the game a completely unique look. Even the sound track is phenomenal. Like nothing I’ve heard for a game before — well maybe with the exception of a certain song about still being alive as sung by a certain passive-aggressive AI. Darren Korb has really made a great sound track that also deserves listening to outside of the game. It all comes together in a great story with plot twists, tough decisions, etc. I’ve said it a million times already, but do not miss this game! (Did I mention that it’s available in the Google Chrome Web Store? Well, it is — both as a free demo and as a full game for $15.)

Forgot to post the 50th and final album. Sorry about that.

See more on Picasa.

I’d love to post a how-to, but right now I don’t have the time, so just enjoy the pictures.

If I were to ever get to like dubstep, I’d have to get to know some songs. I mean, really know — like being able to hum along to it and such, so I simply went to Grooveshark and started listening to their dubstep radio. If a song sounded the least bit interesting to me, I added it to my dubstep playlist, so I could listen to it again when I pleased. Additionally I started actually listening to the tracks that Starcraft commentator Nick “Tasteless” Plott posted on Twitter and occasionally browsing /r/dubstep on Reddit.

At this point I’ve been at it for ~3 months, and I’ll share a playlist of some of the dubstep tracks I actually really like by now.

1. Open “Computer Management” (open the Start menu and search for “computer management”), go to “Disk Management” and right click on the partition called “SYSTEM RESERVED” and mark it as active.
2. Install SP1 either via Windows Update or by downloading the appropriate .exe from http://www.microsoft.com/download/en/details.aspx?id=5842.

That’s all really. Got SP1 running beautifully now with GRUB working and every OS (or rather “both” — Windows 7 and Ubuntu) booting properly. No need to mess around with Windows Recovery and Linux live-cds and stuff.

One of my problems with Awesome was that I could only switch between a few preset layouts, and those didn’t give me much control of the frame sizes. I actually do want my VIM to be exactly 80 characters wide – no more, no less – and Awesome didn’t give me that option. Ratpoison did, but I don’t like having to hit Ctrl-c t just to launch a terminal, when Mod4-t or Mod4-Enter will do. Those key combo chains have never been my cup of tea, which is why I’m using VIM and not Emacs.

Actually, before I even started looking at tiling window managers, I was using EvilWM, which is absolutely great, but I was getting tired of having to organize my windows manually on every login. Musca can be scripted to do pretty much everything – there are of course bugs and I don’t even know if it’s in development any longer, but it’s so goooood and sexy.